Sometimes you ask for a sign. What happens when you get one?
Mike hasn’t been feeling well since his last murder spree. Too many things went wrong that night by the lake. Worst of all, the slugs didn’t get their fill. Between the haunting yet beautiful visage of his last victim and the slug’s slow but relentless pursuit, he finds himself divided against his own bloody desires. He’s had enough of the suffering. Is Mike ready to plunge the knife again, or will he take the plunge himself?
In one world, “Killer” Mike Fontaine is the lead singer/rhythm guitarist for an infamous post-hardcore punk band, Killer Mike and the Blood Slugs. In another, darker world, he is a serial killer. For every record that the band releases in their world, the real Killer Mike will take a life in his own.
Is this the last of those records?
“Reading this felt like getting curb stomped by a Philosophy major wearing corpse paint. 0/10 would recommend.”
– J. M. Gokey, Author of The Hatebug
“I used to like this series. That is, until Smith decided to write a book that is better at putting me to sleep than one too many margaritas.”
- Angel Ramone, Author of Frogs and LCD Laced Margaritas
“The author insisted this literary grotesque be released despite my most grievous warnings. You should [read] it. Despite my most grievous warnings.”
– Rob Tannahill, Author of Prince Junkie
“Too much philosophical bullshit. Where was the mayhem and metal?”
- James Oliver, Author of Genital Rot
Liner Notes: Even though the last time hadn’t gone as well as Mike would have hoped, he had gotten a decent little boost off the kills. Not long after, he proved himself at his job, where he had been able to talk clients into making investments, even from his role as a client service representative. During his first weeks, the managers discouraged all new CSRs from upselling customers who had called in with complaints. Their job was to calm the customer down and leave all sales to the agents. He had been with the company over a year now, so he started doing it anyway…and with a rate of success that some bigger wigs found quite impressive. In November of ‘92, one of the higher-ups invited him to a retreat at a fancy hotel way out on the edge of Barrenview. He had not wanted to go. Felt like he shouldn’t. The town was more than an hour away, out in the boonies somewhere. Besides, he hated gatherings. However, when he objected, the suit who had invited him said, “I know you want to skip the retreat. You want to go to the ‘big turkey dinner’ with your family. Who doesn’t? Do you think the winners are with their families on Thanksgiving? No, winners make war plans while others celebrate and get fat.” Mike, rather than listening, had been fantasizing about digging the guy’s eyes out with the knife in his pocket. The Thanksgiving comment threw him for such a loop that he had almost laughed out loud at the idea of going to the ‘big turkey dinner’ with his family. The point was clear, though. This retreat was some kind of loyalty test. Despite his loathing and vague apprehension, he went. That was when all of the trouble started.
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Exploitation Media is Here. We make stuff. You want to have that stuff. Right now we mostly just have 1 really short book and 1 public domain horror book. This is humble beginnings. I can FEEL you judging me, so don’t. Just stop. Soon there are going to be some games and some multimedia projects that we’re honestly really excited about. See…NOW you want to empty your pockets and give us that startup money. You know you want to. In the meantime, check out some of the Media we support. Go to our Patreon, if that exists yet (it doesn't), but honestly just give the money directly to us. Throw it at the screen and chant the name "Exploitation Media" until your throat is sore. Or you could get some sick Exploitation Media Merch.
Now for the cold hard truth about Exploitation Media. It was founded whatever year the back of our shirts say... 2001? When Matthew Jon Smith was in a robot-themed punk band called Robo-Dream-Date under the pseudonym, Dr. Rock. Around that era, Matt had been a huge Nirvana fan and had read Come As You Are: The Story of Nirvana by Michael Azerrad, several times, where he learned that Kurt Cobain had ambitions of starting his own indie record label and that he would have called it Exploitation Records. Matt drew up the logo in MS Paint and couldn't wait to slap it on something as fast as he could. When Robo-Dream-Date released their first full-length, Matthew convinced his bandmates to use his label name and logo. Thus, Exploitation Records was born.
Here is our greatest achievement to date which was to have our album reviewed by Jim DeRogatis in the Chicago Sun Times. We only reached this level of absolute fame because Matthew Jon Smith's bandmate's dad worked for the paper and was able to hand Jim the press packet.
Now it is years later. The name, Exploitation Records, has been expanded to include all Media. The logo was made in Photoshop instead of MS Paint this time. That is it. The rest hasn't changed. We here at Exploitation Media have a commitment to art in all of its forms. We would do this for free.
But...
Also...
Put your hands up and give us all your money.